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AFTER SEEING KOZINTSEV'S KING LEAR IN DELHI, by             Poet Analysis     Poet's Biography


"After Seeing Kozintsev's King Lear in Delhi," by Agha Shahid Ali, is a poem that intricately weaves together historical and cultural references to evoke a sense of loss, both personal and collective. The poem starts with a reference to King Lear, a tragedy by William Shakespeare, and then skillfully transitions to the bustling streets of Chandni Chowk in Delhi, India.

The opening line, where Lear cries, "You are men of stones," sets a tone of despair and disillusionment that resonates throughout the poem. This line is particularly poignant as it reflects on the emotional state of King Lear in the play, a man betrayed by his daughters and stripped of his dignity, mirroring the historical and cultural losses experienced in Delhi.

As the poet steps out into Chandni Chowk, he contrasts its current state with its glorious past. The street, which was once a symbol of royal elegance and luxury, adorned with jasmine flowers for the Empress and the royal women, has now been reduced to a place where beggars live in tombs and hawkers sell trivial items. This stark contrast highlights the decay and the loss of cultural richness and heritage.

The poet then mentions Zafar, the last Mughal Emperor and a poet, who was led through Chandni Chowk by British soldiers to witness the execution of his sons. This historical reference serves as a powerful metaphor for the loss of sovereignty and cultural identity. Zafar's poignant verse about spending his life in hope and waiting, only to beg for a burial place in his own land, deepens the sense of despair. His exile and burial in Rangoon (now Yangon, Myanmar) further symbolize the dislocation and fragmentation of cultural and historical roots.

In summary, "After Seeing Kozintsev's King Lear in Delhi" is a deeply moving poem that captures the essence of loss and decay, both in the context of Shakespeare's tragedy and the historical and cultural shifts in Delhi. The poem is a lament for the lost grandeur of the past and a commentary on the enduring impact of colonialism and cultural erosion.


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