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Classic and Contemporary Poetry: Explained | |||
The poem begins with a clear assertion: the real hero of the story is the ram, “who didn’t know about the collusion between the others.” This line sets the tone for the poem, emphasizing the ram's innocence and lack of agency in the events that unfold. The ram is portrayed as an unwitting participant, drafted into a role it did not choose and could not understand. Amichai’s desire to sing a “memorial song” for the ram is a call to acknowledge and honor its sacrifice. He paints a vivid picture of the ram, noting its “curly wool” and “human eyes,” attributes that humanize the animal and elicit empathy from the reader. The transformation of the ram’s “silent” horns into shofars used in battle or in celebration is portrayed as a profanation of its peaceful nature, turning a symbol of life into an instrument of war and triumph. The poem then shifts to a striking image reminiscent of a “photo in an elegant fashion magazine,” with Isaac and the angel depicted in fashionable attire, indifferent to the sacrifice that has just taken place. Their “empty eyes” and the “two empty places” suggest a lack of understanding or appreciation for the ram's sacrifice. The backdrop of this scene is the ram itself, caught in the thicket, emphasizing its entrapment and isolation. The conclusion of the poem underscores the abandonment of the ram. The angel, Isaac, Abraham, and God have all left, each returning to their respective domains, leaving the ram as the only true victim of the narrative. By framing the ram as the “real hero,” Amichai not only reinterprets a well-known religious story but also invites readers to reconsider the notion of heroism itself. The poem suggests that true heroism may lie in the unchosen, involuntary sacrifices made by the innocent, and in the acknowledgment of such sacrifices that often go unrecognized in the grand narratives of history and religion.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...AN ANATOMY OF THE WORLD: THE FIRST ANNIVERSARY by JOHN DONNE A NEGRO LOVE SONG by PAUL LAURENCE DUNBAR A MEDITATION FOR HIS MISTRESS by ROBERT HERRICK SWORD AND BUCKLER; OR, SERVING-MAN'S DEFENCE: INTRODUCTION by WILLIAM BASSE THE WANDERING JEW by PIERRE JEAN DE BERANGER THE RIVER FIGHT; APRIL 18, 1862 by HENRY HOWARD BROWNELL RETRIBUTION by WILLIAM CULLEN BRYANT THE CONJUNCTION OF JUPITER AND VENUS by WILLIAM CULLEN BRYANT |
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