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STALIN'S GENIUS, by             Poet Analysis     Poet's Biography


"Stalin's Genius" by Bruce Andrews is a provocative and challenging poem that exemplifies the experimental and often confrontational style of the poet. Bruce Andrews, associated with the Language poetry movement, is known for his radical approach to poetry, which often includes political and social critique.

This poem appears to engage with the complex and controversial figure of Joseph Stalin, the Soviet dictator. The title "Stalin's Genius" is immediately ironic and confrontational, given Stalin's historical association with brutal authoritarianism and widespread atrocities.

The poem's opening line, "Stalin's genius consisted of not french-kissing," is jarring and irreverent. This line sets the tone for the rest of the poem, which continues to blend the absurd with the serious. The juxtaposition of the trivial act of "not french-kissing" with the weighty historical legacy of Stalin creates a sense of dissonance and unease.

Throughout the poem, Andrews employs disjointed phrases and seemingly unrelated images, typical of his style. Phrases like "crow fluke, genitally organized spuds" and "lose that disembowelment; you must change it by eating it yourself" are vivid and disturbing, evoking a sense of chaos and violence. This fragmentation of language and imagery reflects the fractured and often incomprehensible nature of political power and violence.

The mention of "the missile crisis" within the poem places it in a broader historical context, potentially referencing the Cold War and the ongoing threats of nuclear warfare and international conflict. The line "cat goes backward to suit international organization" could be interpreted as a critique of the way political entities often manipulate or reverse positions for strategic purposes.

The ending of the poem, "anything can be converted, the accessories get you wet," suggests a cynicism about the transformative promises of political systems and ideologies. It implies that beneath the surface of political rhetoric and action lies a more primal, perhaps even carnal, reality.

Overall, "Stalin's Genius" by Bruce Andrews is a complex and challenging work that uses disjunction, absurdity, and vivid imagery to critique and explore the nature of political power, historical memory, and human behavior. It is representative of Andrews' avant-garde approach to poetry, which challenges readers to confront and question their own understandings of language, history, and reality.


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