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Classic and Contemporary Poetry: Explained | |||
The opening lines, "The other marigolds and the cloths / Are crimes invented for history," immediately set a tone of questioning the narratives we construct about the past. Marigolds and cloths, ordinary objects, are described as "crimes invented for history," suggesting a critique of how history is often a construct, shaped by the perspectives and biases of those who record it. The poem then delves into a meditation on aspiration with the lines, "What can we achieve, aspiring? / And what, aspiring, can we achieve?" These rhetorical questions reflect on the nature of ambition and the often elusive nature of success. The repetition and inversion of the phrase emphasize the circular and sometimes paradoxical nature of striving for goals. Ashbery uses the imagery of rain falling "All day on the grounds / And on the bingo tables" to evoke a sense of the mundane, the everyday occurrences that continue irrespective of human aspirations and achievements. The clearing of the rain and the statue turning to a "sweeter light" suggest a shift in perspective or a moment of clarity, yet this is immediately contrasted with the line, "The nearest patrons are black," which could be interpreted as a comment on the overshadowing of certain perspectives or experiences in society. The "storm of receipts: night, / Sand the bowl did not let fall" presents an image of chaos and the uncontrollable aspects of life. Receipts, as symbols of transactions and exchanges, could represent the culmination of actions and decisions, while the reference to the bowl and sand evokes the idea of time passing and experiences accumulating. In the final stanza, Ashbery returns to the image of marigolds, now "scattered like dust." This transformation from crimes invented for history to dust scattered suggests the transience of human endeavors and the fleeting nature of what we consider significant. The "Sweet peas in dark gardens / Squirt false melancholy over history" further explores the theme of the constructed nature of history and emotion, implying that much of what we feel or believe about the past may be an artificial or distorted view. The closing line, "If a bug fell from so high, would it land?" is a striking metaphor for the human condition – small, seemingly insignificant, and at the mercy of forces beyond our control. This question encapsulates the poem's exploration of aspiration, achievement, and the nature of existence, leaving the reader with a sense of the profound uncertainty and complexity of life. Overall, "Album Leaf" is a thought-provoking poem that uses abstract imagery and philosophical questioning to explore themes of history, aspiration, and the human experience. Ashbery's unique style challenges the reader to find meaning in the ambiguity and to reflect on the deeper implications of the ordinary aspects of life.
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