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ALONE IN THE LUMBER BUSINESS, by             Poet Analysis     Poet's Biography


"Alone in the Lumber Business" by John Ashbery encapsulates a nuanced meditation on existence, memory, and the transient nature of identity against the backdrop of an ever-evolving landscape. This poem, characteristic of Ashbery's work, weaves a complex narrative that bridges the tangible and the abstract, exploring the dynamics of change, the elusiveness of meaning, and the quest for self-understanding. Through an examination of the poem's thematic layers, its structure and form, and the stylistic elements that typify Ashbery's voice, this analysis aims to delve into the intricacies of "Alone in the Lumber Business" and situate it within the broader context of his work and contemporary poetry.

The poem begins with a reflection on the passage of time, likened to a "long night glided on," imbued with intent and purpose, reminiscent of a dog "Dreaming of a bone." This imagery sets the tone for a narrative that oscillates between moments of anticipation and the stark realities of existence. The mention of stones "awake, desire / Still shriveled in the bud" introduces themes of latent potential and the inherent restlessness that characterizes the human condition.

Ashbery's exploration of the tree's gradual beautification as a metaphor for self-actualization highlights the poem's engagement with the processes of growth and self-discovery. The tree's transformation becomes a locus for existential inquiry, inviting "all things / Take up their abode in the questions it asks," suggesting the profundity and complexity of the questions we navigate in our pursuit of understanding.

The portrayal of life as akin to being "Entrusted to the sole care of a French governess" captures the sense of dislocation and the longing for connection and roots. This imagery, coupled with the "lights come on in the city far across the bay," evokes a sense of distance and the elusive nature of belonging and identity.

The "orgy of name-giving" and the struggle to find names that "stick" reflect the poem's contemplation of language, naming, and the inadequacy of words to fully capture or define experience. The comparison of adulthood to being a "fifty-seven-year-old child" underscores the poem's meditation on the permeability of age and the cyclical nature of knowledge and innocence.

Ashbery's depiction of a life "cobbled" together, with the "cloud and outlines of the sod / Still glowing," suggests a narrative of resilience and the continuous shaping and reshaping of the self. The poem's closing contemplation of the "bridge / Of fools once crossed" and the subsequent "adjustments to be made" speaks to the inevitability of change and the need for adaptation.

The structure of "Alone in the Lumber Business," characterized by free verse and an associative logic, mirrors the poem's thematic fluidity and the indeterminacy of its subject matter. This structural choice supports the poem's exploration of ambiguity, transformation, and the search for coherence in an often incomprehensible world.

Stylistically, the poem is marked by Ashbery's evocative language and his capacity to infuse the everyday with a sense of the extraordinary. His work invites readers into a space of reflection and interpretation, encouraging a personal and reflective engagement with its themes and questions.

In the broader context of Ashbery's oeuvre and postmodern literature, "Alone in the Lumber Business" reflects the movement's engagement with questions of identity, the instability of language, and the fragmentary nature of reality. The poem, with its nuanced exploration of these themes and its open-endedness, exemplifies Ashbery's contribution to contemporary poetry's ongoing dialogue with the complexities of the human experience.

In conclusion, "Alone in the Lumber Business" by John Ashbery stands as a meditation on the interplay of memory, identity, and the transient nature of existence, weaving together the personal and the philosophical, the specific and the universal. Through its intricate imagery, thematic depth, and stylistic innovation, the poem invites readers into a reflective engagement with the uncertainties and possibilities of existence, marking it as a significant work within Ashbery's distinguished body of work and the broader landscape of contemporary poetry.


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