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Classic and Contemporary Poetry: Explained | |||
The reference to "Hegel" in the title suggests a philosophical underpinning, potentially alluding to the dialectical method of the German philosopher Georg Wilhelm Friedrich Hegel. Hegel's philosophy involved the process of thesis, antithesis, and synthesis, where conflicting ideas eventually lead to higher understanding. However, Ashbery's use of the name "Hegel" may not directly engage with Hegelian philosophy; instead, it could be an ironic nod to the complexity and abstraction often associated with philosophical thought. The poem's imagery and language are marked by contrasts and contradictions, as seen in the mixing of physical and abstract elements and the blending of the everyday with the bizarre. The chair, an ordinary object, becomes almost animate as it slides across the floor, and the mention of "dishpan hands" introduces a domestic, mundane element that stands in stark contrast to the philosophical and abstract references. Ashbery's use of disjointed imagery and ambiguous language creates a dreamlike atmosphere, where meanings are elusive and interpretations are multiple. The mention of the peacock in the barnyard, mistaken for a Christmas-tree ornament, adds to the surreal quality of the poem. This image could be interpreted as a commentary on perception and the way we impose our interpretations and expectations onto the world around us. Overall, "Hegel" is a quintessentially Ashberyan poem, characterized by its playful yet thoughtful exploration of perception, reality, and the limitations of language. The poem invites readers to engage with its imagery and ideas on multiple levels, offering a rich and challenging experience that defies easy interpretation. Ashbery's work often resists definitive analysis, instead encouraging readers to embrace ambiguity and find their own meaning in the interplay of words and images.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...SONNET: 'EVEN THIS WILL PASS AWAY' by THOMAS BAILEY ALDRICH ON THE RHINE by MATTHEW ARNOLD THE CRY by ABBIE FARWELL BROWN FERISHTAH'S FANCIES by ROBERT BROWNING THE COMING HUNS by VALERY YAKOVLEVICH BRYUSOV POEM-SKETCH IN 3 PARTS: THE COMING OF THE GREAT BIRD by HILDA CONKLING ON JOHN DUKE OF BRIDGEWATER, WHO DIED IN THE TWENTY-FIRST YEAR OF AGE by NATHANIEL COTTON |
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