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Classic and Contemporary Poetry: Explained | |||
The poem begins with a statement that seems to address an unnamed interlocutor, "I don’t really understand why you object / to any of this." This opening sets the tone for a dialogue or a reflection that is introspective and somewhat confrontational. The speaker claims to be "above suspicion," suggesting a detachment or an elevated perspective on the events or circumstances being described. The imagery of a "crawlup where the mice are rotted" and the reference to "midnight tunes absolve the bricklayers" create a surreal, dreamlike atmosphere. These elements combine the mundane with the fantastical, blurring the lines between reality and imagination, a common feature in Ashbery's poetry. The poem's structure, with its fragmented narrative and shifting focus, mirrors the erratic nature of human consciousness. Phrases like "The porch is loaded, a question-mark / swings like an earring at the base of your cheek" evoke a sense of mystery and unresolved tension, indicative of the elusive nature of understanding and communication. Themes of transience and permanence are also present, as seen in the lines "Air and ice, / those unrelenting fatheads, seem always to be saying, / 'This is where we will be living from now on.'" This suggests a resignation to the unchanging aspects of life, despite the ongoing flux of experiences and perceptions. The poem concludes with a reflection on distance and landscape, possibly metaphorical, representing the emotional or psychological spaces between individuals or between the self and the world. The final lines, "And I do, I do," imply a reluctant acceptance or a commitment to engage with these spaces, despite their inherent ambiguity. Overall, "Nobody Is Going Anywhere" is a contemplative and enigmatic poem that invites multiple interpretations. Ashbery's use of rich imagery and a non-linear narrative challenges traditional notions of structure and meaning, encouraging readers to embrace the complexity and fluidity of human experience.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...CHAMBER MUSIC: 18 by JAMES JOYCE AT SAGAMORE HILL by EDGAR LEE MASTERS HER MERRIMENT by WILLIAM HENRY DAVIES AN ODE UPON A QUESTION WHETHER LOVE SHOULD CONTINUE FOREVER by EDWARD HERBERT AN EPITAPH ON A DUTCH CAPTAIN by PHILIP AYRES CONCLUDING VERSES, AFTER RETURNING HOME FROM AN AUTUMNAL MORNING WALK by BERNARD BARTON CLIO, NINE ECLOGUES IN HONOUR OF NINE VIRTUES: APOLOGY TO CLEO by WILLIAM BASSE GOING BACK TO SCHOOL by STEPHEN VINCENT BENET IN VINCULIS; SONNETS WRITTEN IN AN IRISH PRISON: DEEDS MIGHT HAVE BEEN by WILFRID SCAWEN BLUNT |
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