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Classic and Contemporary Poetry: Explained | |||
The opening lines, "Whose face is this / So stiff against the blue trees," immediately introduce a sense of detachment and questioning. The face, possibly a representation of the self or another, is set against a backdrop of nature, suggesting a contrast between the human figure and the natural world. The stiffness of the face implies a rigidity or an inability to change, possibly hinting at the struggles and limitations inherent in human nature or identity. "Lifted to the future / Because there is no end?" These lines suggest a forward-looking perspective, an anticipation or hope for what lies ahead. The notion of an endless future implies both possibility and a lack of closure, a common theme in Ashbery's poetry where resolutions are often elusive. The phrase "But that has faded / Like flowers, like the first days / Of good conduct" introduces the theme of impermanence and the transient nature of life, beauty, and perhaps innocence. This fading could also represent the loss of ideals or the erosion of a once-clear sense of purpose or identity. "Visit / The strong man. Pinch him --" These lines could be interpreted as a call to confront reality or to test the strength and resilience of oneself or another. The strong man, perhaps a symbol of heroism or authority, is not immune to the vulnerabilities of human existence. "There is no end to his / Dislike, the accurate one." The poem concludes with a sense of unresolved tension or dissatisfaction. The strong man's dislike, described as "accurate," suggests a recognition of the harsh truths of life. This line might reflect a disillusionment with traditional notions of heroism or a more general commentary on the human condition, where even strength and resilience are tinged with discontent or a sense of futility. Overall, "Hero" is a contemplative piece that delves into the complexities of the human psyche, the fleeting nature of existence, and the elusive nature of heroism. Ashbery's use of vivid imagery and open-ended questions leaves the interpretation of the poem largely up to the reader, a hallmark of his poetic style.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...I MAY, I MIGHT, I MUST by MARIANNE MOORE IN A RESTAURANT by SARA TEASDALE THE HURRICANE by WILLIAM CULLEN BRYANT TO A MOSQUITO by WILLIAM CULLEN BRYANT CHARLIE MACHREE by WILLIAM JAMES HOPPIN THE NYMPH COMPLAINING FOR THE DEATH OF HER FAUN [OR, FAWN] by ANDREW MARVELL THE KINGS OF THE EAST by KATHARINE LEE BATES LINES ON THE DEPARTURE OF EMIGRANTS FOR NEW SOUTH WALES by THOMAS CAMPBELL |
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