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Classic and Contemporary Poetry: Explained | |||
The poem opens with "They are preparing to begin again," a line that immediately introduces the motif of cyclical renewal and the perpetual motion of starting anew. The "Problems, new pennant up the flagpole / In a predicated romance" suggests a fresh set of challenges or endeavors, adorned with the optimism or ceremonial fanfare of a new venture. This juxtaposition of difficulty with celebration captures the poem's engagement with the complexities and contradictions of human endeavors. Ashbery's reference to "the sun begins to cut laterally across / The western hemisphere with its shadows, its carnival echoes" evokes the passage of time and the transformative power of light and shadow. The imagery of "fugitive lands" under "separate names" speaks to the fragmentation of experience and the elusive nature of identity and belonging. This segment reflects on the transient, often celebratory moments of life, followed by the inevitable "blankness" that accompanies their passing. The notion of "Everyman" departing "into stranded night, for his destiny / Is to return unfruitful out of the lightness / That passing time evokes" contemplates the universal journey of seeking purpose or fulfillment, only to confront the potential futility of such quests. Ashbery's meditation on "Cloud-castles, adept to seize the past / And possess it, through hurting" delves into the pain often inherent in nostalgia and the desire to reclaim what has been lost. The poem's shift towards introspection, "Just look at the filth you’ve made, / See what you’ve done," confronts the reader with the consequences of actions and decisions, urging a reckoning with one's own impact. However, the subsequent lines, "Yet if these are regrets they stir only lightly / The children playing after supper," introduce a sense of resilience or the capacity to transcend regret through the simplicity and joy of life's ongoing moments. Ashbery expresses a desire to "stay here a little while / For these are moments only, moments of insight," highlighting the value of presence and the pursuit of understanding. The poem concludes with an affirmation of the journey towards self-realization, "there are reaches to be attained, / A last level of anxiety that melts / In becoming, like miles under the pilgrim’s feet," suggesting that the path towards insight and transformation is both arduous and rewarding. Structurally, "Task" employs free verse, allowing Ashbery the flexibility to navigate its thematic explorations with fluid transitions and associative leaps. This approach facilitates a reflective and contemplative engagement with the text, characteristic of Ashbery's poetic style. Stylistically, the poem is marked by Ashbery's signature blend of evocative imagery, philosophical inquiry, and a tone that oscillates between the meditative and the urgent. His work challenges conventional poetic forms, inviting readers into a space of personal interpretation and reflection. In the broader context of Ashbery's oeuvre and contemporary literature, "Task" exemplifies his enduring interest in the intersections between the individual's inner world and the external flow of time and experience. The poem stands as a testament to Ashbery's impact on modern poetry, offering a unique lens through which to explore the nuances of existence, identity, and the quest for meaning. In conclusion, "Task" by John Ashbery is a meditation on the cycles of beginning and reflection, the pursuit of understanding amidst life's fleeting moments, and the journey towards self-discovery. Through its intricate imagery, thematic depth, and stylistic innovation, the poem invites readers into a reflective engagement with the uncertainties and revelations of life, marking it as a significant contribution to Ashbery's distinguished body of work and the broader landscape of contemporary poetry. POEM TEXT: https://ashberyhouse.yale.edu/task
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