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Classic and Contemporary Poetry: Explained | |||
The imagery of dark rain falling on red rock, blackening like soot or burned blood, conveys a sense of irreversible damage and contamination—a metaphor for the environmental and moral degradation witnessed in the century. This imagery evokes the disasters of Chernobyl and other catastrophic failures of "scientific empires," highlighting the fatal consequences of human hubris and disregard for natural limits. Cherry mourns the loss of innocence and the absence of a guiding "child" figure that could lead humanity toward a "new philosophy" or a recovery of lost purity. This absence underscores a collective moral and imaginative bankruptcy, a failure to envision or achieve a better future. The reference to a "drowned country" alludes to a lost ideal, submerged under the "blood-tide" of history's relentless and unforgiving flow. The poem's closing lines reference the mythological Sphinx, symbolizing enigmatic knowledge and inscrutable truths. The Sphinx's presence in the desert, amidst "winged, turning shadows," suggests the elusive nature of understanding and the human quest for meaning in a world that seems indifferent to human suffering. Cherry implies that any revelation or insight we might seek in the face of century's horrors remains beyond our grasp, embodied in the Sphinx's cryptic form—part lion, part human, wholly inscrutable. "Revelation at Hand" is a powerful reflection on the human condition at the close of the 20th century, marked by a profound sense of disillusionment and a sobering acknowledgment of humanity's failure to learn from its past. Through vivid imagery and allusion, Cherry captures the existential despair of a time when revelations of progress and enlightenment seem distant, if not altogether unattainable, leaving readers to ponder the path forward in a world scarred by its own history.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...IN THE TRENCHES by ISAAC ROSENBERG HE GOADS HIMSELF by LOUIS UNTERMEYER GOOD-BY AND KEEP COLD by ROBERT FROST THE ANGEL'S SONG; CAROL by EDMUND HAMILTON SEARS TO BE CARVED ON A STONE AT THOOR BALLYLEE (1) by WILLIAM BUTLER YEATS THE STRANGER'S ALMS by HENRY ABBEY AUTUMN AND SPRING by JULIA COOLEY ALTROCCHI |
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