Classic and Contemporary Poetry: Explained

"Book of Days 12" by Martha Collins delves into the themes of contrast, coexistence, and the cyclical nature of life through the lens of the natural world. By juxtaposing different elements of nature—such as the seasons, flora, and fauna—the poem invites contemplation on the interplay between permanence and change, visibility and obscurity, and the interconnectedness of all beings.

The opening lines, "Like two sides of a leaf, / not this brown, but a still-green leaf, / are not-snow and snow / in a warm winter," establish a framework of duality and contrast. This comparison between the two sides of a leaf, one side representing the lingering green of life and the other the encroaching whiteness of snow, serves as a metaphor for the delicate balance between different states of being and the transitional nature of seasons. The reference to a "warm winter" further underscores the theme of unusual juxtapositions and the blending of expected natural cycles.

As the poem progresses, Collins introduces the concept of "a new way / of seeing," suggesting that with every shift in perspective comes the revelation of something "old:" a "shadow tree, an under-flow." This imagery evokes a sense of depth and the unseen layers of existence that lie beneath the surface of our perceptions, highlighting the complexity of reality and the richness of the natural world.

The description of the rainforest scene, where "the golden frog / rides the darker, twice-as-large / not-gold female frog," illustrates the poem's exploration of relationships and roles within nature. This depiction not only draws attention to the diversity of life and the specificity of species' interactions but also emphasizes the collaborative effort required for the continuation of life. The frogs' cooperative behavior in laying eggs "over a pool, or over a leaf / that's over a pool" symbolizes the intricate balance and interdependence inherent in natural ecosystems.

Collins concludes the poem with the lines, "Something else is on top now. / The old is merely clinging, like the dust / that's skin, or pollen, / to the belly." This closing reflects on the ever-shifting dominance and subordination within the natural order, where what is paramount at one moment may become subordinate in the next. The imagery of dust, skin, and pollen clinging to the belly suggests a continuous exchange and cycle of renewal, where the old serves as the foundation for the new, and life persists in a perpetual state of flux and adaptation.

"Book of Days 12" presents a rich tapestry of imagery and themes that invite reflection on the fundamental principles that govern life and the environment. Through its exploration of contrasts, cycles, and coexistence, the poem celebrates the complexity and resilience of the natural world, encouraging a deeper appreciation for the subtle interconnections that sustain the web of life. Collins' work stands as a testament to the beauty and intricacy of nature, as well as the profound insights that can be gained from observing and understanding its myriad forms and functions.

POEM TEXT: https://capa.conncoll.edu/collins.space.htm#DAYS

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