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FAINT FACES, by             Poet Analysis     Poet's Biography

Robert Creeley’s poem "Faint Faces" reflects on the inevitable passage of time and the enduring presence of the past in the present. Written in his characteristic minimalist style, the poem is spare in language yet dense with meaning. Creeley uses fragmented thoughts and images to convey a sense of lingering memory, of experiences that remain with the speaker despite the changes that time has wrought. The title itself, "Faint Faces," evokes a sense of blurred memory, suggesting that the faces, and perhaps the events associated with them, have faded but are still present, lingering at the edge of consciousness.

The opening lines—"I can’t move / as formerly but still keep / at it"—establish a tone of physical limitation and endurance. The speaker acknowledges that they are no longer capable of moving as they once did, perhaps due to age or some other form of restriction. However, the phrase "still keep at it" suggests a resilience and determination to continue despite these limitations. There is a quiet resolve in this admission, a recognition of decline but also a refusal to be defeated by it. The struggle to "keep at it" becomes a metaphor for the speaker';s persistence in life, even as the body or mind may no longer function as it once did.

The poem’s next section—"as the / ground cants rising to manage some incumbent cloud of / reference left years back"—introduces a more abstract image. The "ground cants rising" suggests an uneven, tilting landscape, as if the world itself is shifting under the speaker’s feet. This image could symbolize the destabilizing effects of aging or the passage of time, where once-familiar ground becomes uncertain. The "incumbent cloud of / reference left years back" refers to memories or past experiences that hover over the present, shaping the speaker’s current reality. The use of "cloud" suggests something nebulous, intangible, and perhaps burdensome. These memories or references, though they belong to the past, still exert influence, making it difficult for the speaker to move forward with ease.

Creeley’s choice of the word "incumbent" to describe the cloud is particularly significant. It carries connotations of something obligatory or pressing, implying that the weight of these past experiences is not easily shrugged off. The speaker is, in a sense, bound by the past, unable to fully escape its shadow. The "reference left years back" points to the lingering nature of memory—although the events themselves have passed, their impact remains, affecting the speaker’s present state of being. This interplay between past and present is central to the poem, as the speaker grapples with the enduring effects of time.

The poem’s final lines—"the tracks absent events it / was part of parting and leaving still here still there"—further develop the theme of memory and the passage of time. The "tracks absent events" suggests that the speaker is following a path that is no longer connected to any specific events or moments. The use of "absent" implies a sense of loss or emptiness, as though the events that once gave meaning to the speaker’s journey are now missing. Yet, despite this absence, the speaker continues to move along the tracks, suggesting that the past still exerts a pull, even when the events themselves have faded into obscurity.

The phrase "part of parting and leaving still here still there" encapsulates the poem’s exploration of time and memory. The act of "parting and leaving" evokes the idea of separation—whether from people, places, or moments in time. Yet, despite this separation, the speaker remains "still here still there," caught between the past and the present. This duality of presence and absence reflects the nature of memory itself: though the speaker has moved on from the past, the memories and experiences associated with it are still present, existing in a kind of liminal space between what was and what is.

Creeley’s use of fragmented syntax and enjambment throughout the poem mirrors the fragmented nature of memory and experience. The lack of punctuation between thoughts and images creates a sense of fluidity, as though the speaker’s mind is moving between past and present without clear boundaries. This structure allows the poem to convey the complexity of time and memory, where the past is never fully separate from the present, and where experiences continue to shape one’s reality long after they have passed.

"Faint Faces" is a meditation on the persistence of memory and the way the past continues to inform the present. Through his use of sparse language and fragmented imagery, Robert Creeley captures the sense of living with the weight of time, of moving forward while still carrying the traces of what has been left behind. The poem suggests that even as events fade and faces grow faint, their presence remains, shaping the speaker’s understanding of the world and their place within it. It is a quiet, reflective piece, imbued with a sense of resignation but also resilience, as the speaker continues to "keep at it," navigating the shifting ground of memory and experience.


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