Classic and Contemporary Poetry: Explained

The poem "Best Witchcraft is Geometry" by Emily Dickinson presents a subtle yet profound idea about the transformative power of perspective, specifically through the lens of mathematics and rational thought. Consisting of only four lines, this short but meaningful poem explores themes of magic, rationalism, and the marvelous capabilities of the human mind.

The opening line "Best Witchcraft is Geometry" immediately grabs the reader's attention by juxtaposing two seemingly disparate concepts: witchcraft and geometry. Witchcraft is often associated with the mystical and supernatural, while geometry represents reason, logic, and the scientific method. Dickinson suggests that geometry, an aspect of formal knowledge, becomes an extraordinary feat when integrated into the 'magician's mind.' This is an intriguing perspective on the idea that rational thinking can yield outcomes as remarkable as those promised by mystical arts.

The notion that "His ordinary acts are feats" introduces the idea that what might appear mundane or typical to a learned individual could seem miraculous to the common person. This draws a distinction between different kinds of knowledge and how they are valued in society. In many ways, it reflects the Romantic era's fascination with the sublime and otherworldly, while also acknowledging the significant advancements in science and mathematics taking place during Dickinson's lifetime.

The final line, "To thinking of mankind," underscores the relativity of perception. The very acts that might appear ordinary to a 'magician,' in this context, a person well-versed in geometry, are not just ordinary but "feats" to the rest of humanity. This is where the poem really touches on the democratization of knowledge, challenging us to question what is considered ordinary or extraordinary depending on who is making the assessment.

The historical and cultural context adds another layer of depth to the poem. Dickinson lived during the 19th century, a period marked by rapid advancements in science and mathematics, which often seemed to be at odds with traditional religious and mystical beliefs. Through this poem, she bridges the gap between the two, indicating that wonder and amazement can be found not only in the inexplicable but also in the perfectly logical and rational.

In terms of structure, the poem's brevity and simplicity are deceptive. It uses no complex metaphors or elaborate symbolism, but its concise format leaves much room for interpretation and exploration, a characteristic feature of Dickinson's poetry. Every word counts, and the dash at the end of the second line implies an unfinished thought, inviting the reader to delve deeper into the complexities that the poem hints at.

In conclusion, Emily Dickinson's "Best Witchcraft is Geometry" serves as an intellectual discourse on the perception of magic and rationality. It suggests that magic exists not in the supernatural alone but also in the rational and empirical. It is a celebration of the human capacity for wonder, whether derived from the mystical realm of a magician or the rational world of geometry. This brief yet impactful poem encapsulates the complexity and multifaceted nature of human thought, encouraging the reader to find the extraordinary in the seemingly ordinary.

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