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Classic and Contemporary Poetry: Explained
DRIVING A CARDBOARD AUTOMOBILE WITHOUT A LICENSE, by LAWRENCE FERLINGHETTI Poet Analysis Poet's Biography | |||
In "Driving a Cardboard Automobile Without a License," Lawrence Ferlinghetti paints an imaginative and nostalgic portrait of his parents' meeting, blending whimsy and sentimentality to evoke the serendipity and passion of love. The poem creates a vivid snapshot of a specific historical moment while transcending time to establish a lasting connection between generations. The poem opens with the striking image of the narrator's father "Driving a cardboard automobile without a license at the turn of the century." This playful metaphor immediately sets a lighthearted tone, hinting at the novelty and excitement of a bygone era. The phrase "without a license" emphasizes the carefree spontaneity of the time, a period when formalities and rules seemed less important. The "cardboard automobile," an inherently fragile and fantastical creation, symbolizes the youthful optimism and impermanence that often characterize early romance. The narrator's father "ran into my mother / on a fun-ride at Coney Island." The collision between the two characters, framed as a literal and metaphorical encounter, serves as the catalyst for their relationship. The whimsical setting of Coney Island, a famous amusement park known for its lively atmosphere and array of rides, underscores the theme of adventure and spontaneity. Ferlinghetti's choice of words, "fun-ride" and "ran into," evokes the heady thrill of new love and the unpredictability of fate. Having "spied each other eating / in a French boardinghouse nearby," the narrator's parents had already caught each other's attention before their encounter on the ride. The French boardinghouse suggests a cosmopolitan air, providing a contrast to the playful chaos of Coney Island. The juxtaposition of these settings creates a multifaceted backdrop for the budding romance. The father's instant decision that "she was for him entirely" conveys the intensity and certainty of his affection, as he follows her "into / the playland of that evening." The description of their meeting as "the headlong meeting / of their ephemeral flesh on wheels" captures the fleeting yet transformative nature of the encounter. The phrase "ephemeral flesh on wheels" combines the physicality of their attraction with the impermanence of carnival rides, suggesting that their love was both grounded in the moment and destined to endure. The collision of "flesh on wheels" also hints at the carnal aspect of their attraction, blending romance with a hint of sensuality. The poem concludes with the narrator reflecting on his place in this love story: "And I now in the back seat of their eternity / reaching out to embrace them." The metaphor of the "back seat" conveys both a sense of distance and connection. The narrator is a product of his parents' love, yet he remains an observer, reaching out from the "back seat of their eternity" to understand and connect with their experience. The use of "eternity" transforms his parents' ephemeral encounter into something timeless and enduring. Structurally, the poem consists of a single, flowing stanza that mirrors the seamless continuity of time and memory. The enjambment between lines creates a sense of movement, reflecting the headlong rush of romance and the fluid passage of generations. Ferlinghetti's language is simple yet evocative, blending metaphors and imagery to create a vivid picture of a specific moment while capturing the universality of love and family. Overall, "Driving a Cardboard Automobile Without a License" is a tender and whimsical exploration of love's serendipity and legacy. Ferlinghetti's playful imagery and evocative language transform his parents' meeting into a timeless allegory of romance, adventure, and continuity. The poem reminds readers that the ephemeral moments of love can have a lasting impact, shaping not only individuals but generations that follow.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE RELIEF OF LUCKNOW (SEPTEMBER 25, 1857) by ROBERT TRAILL SPENCE LOWELL HE GIVES HIS BELOVED CERTAIN RHYMES by WILLIAM BUTLER YEATS SONNET TO CHARLOTTE M-- by BERNARD BARTON PHANTOMS IN GREEN by STANLEY KILNER BOOTH EPIGRAM by WILLIAM BROWNE (1591-1643) |
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