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NOTE AFTER READING THE DIARIES OF PAUL KLEE, by             Poet Analysis     Poet's Biography

In "Note After Reading the Diaries of Paul Klee," Lawrence Ferlinghetti offers an intimate glimpse into the life of the Swiss-German painter, Paul Klee, blending everyday realism with poetic whimsy. Through vivid imagery and introspective commentary, the poem captures Klee's personal and artistic journey, emphasizing the transformative power of love.

The poem begins with a seemingly dismissive remark about Klee's artistic abilities: "Paul Klee (that painter who never could draw very well)." However, this description is not meant to undermine Klee's artistic talent but rather to acknowledge his unconventional style, which often defied traditional notions of drawing. Klee, known for his abstract and imaginative works, prioritized creativity over technical precision. By acknowledging this, Ferlinghetti invites readers into Klee's unique world.

The poem then shifts to a mundane yet poignant image of Klee dressing himself: "put on the holes in his socks on those dim mornings / when he woke alone." The "holes in his socks" symbolizes imperfection and vulnerability, while the "dim mornings" convey a sense of loneliness and isolation. This imagery portrays Klee as a human figure, subject to the same ordinary struggles as anyone else. The detail of "woke alone" adds an element of melancholy to this domestic scene, suggesting that even an artist of Klee's stature experienced moments of solitude.

However, "on other days it was a different tale," particularly "after that time they made love in the larch grove by the Tegernsee." The shift from loneliness to the joy of love reveals a different side of Klee's life. The larch grove by the Tegernsee, a picturesque lake in Germany, provides a serene backdrop for an intimate moment that transforms Klee's perspective. This natural setting represents a place where creativity and love intertwine.

"What perfection we reach with love! he opined / It even knits up socks / and makes me feel I'm God in humankind." Here, Ferlinghetti captures Klee's thoughts on love, portraying it as a force that not only brings people together but also has the power to heal and elevate. The phrase "knits up socks" serves as a metaphor for mending imperfections, while "makes me feel I'm God in humankind" reflects the transcendence and creative power that love imparts. The use of the word "opined" suggests that this was more than just a passing thought; it was a deeply held belief.

The final lines of the poem, "Blow, blow, thou winter wind! / Crumble, ye mountains of the mind!" introduce a dramatic, almost Shakespearean tone. The first line is an allusion to William Shakespeare's "As You Like It" ("Blow, blow, thou winter wind / Thou art not so unkind"), which compares the harshness of the winter wind to human ingratitude. By invoking this line, Ferlinghetti suggests that despite life's challenges and disappointments, love remains a powerful force against adversity.

"Crumble, ye mountains of the mind!" reinforces the transformative power of love and creativity. The "mountains of the mind" symbolize obstacles and barriers to creative expression and personal fulfillment. By calling for these mountains to "crumble," Ferlinghetti echoes Klee's belief in the ability of love and art to break down barriers and overcome challenges.

Overall, "Note After Reading the Diaries of Paul Klee" is a celebration of love, creativity, and the resilience of the human spirit. Ferlinghetti uses Klee's diaries as a starting point to explore the artist's personal and artistic journey, blending introspective commentary with poetic imagery. The poem captures the transformative power of love, revealing how it can elevate and heal even the most imperfect aspects of life. Through this lens, Ferlinghetti reminds us of the importance of finding beauty and meaning in the everyday.


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