Classic and Contemporary Poetry: Explained

Edward Field’s poem “Triad” explores the complexities of human relationships, masculinity, and sexuality through the lens of an ancient temple sculpture. The image of two warriors and a goddess embodies a powerful interplay of desire, conflict, and unity. By reflecting on the symbolic meaning of the sculpture, Field delves into the inherent contradictions and tensions in male relationships and the role of the feminine principle.

The poem begins with a vivid description of the sculpture, “Two Warriors in Combat,” who are joined by a female figure between their knees. One of the warriors penetrates her vagina, while she simultaneously bends backward to take the other warrior's penis in her mouth. Above them, the two warriors “cross swords,” literally and figuratively clashing in combat. This graphic and intricate scene sets the stage for Field’s exploration of sexuality and unity amidst rivalry.

The female figure, described as a goddess, serves as a conduit between the two warriors. She embodies a dual role, both connecting and neutralizing the men’s rivalry. Field questions her exact function: “but is she consoling, neutralizing, / trying to bring peace about, / or delivering the charge that sets the swords a-clashing?” Her presence in the midst of the combat raises questions about the nature of male relationships and the role of the feminine principle.

Field examines the symbolism of the sculpture further, pondering whether the warriors “only appear to fight / to deny the sexual connection below.” Despite the physical and metaphorical clash of swords, there is no attempt to obscure the sexual connection between the warriors and the goddess. Instead, it is “open as a diagram, illustrative,” unlike the more playful, interconnected image of “a daisy chain like The Three Graces.” This openness points to a deeper truth about male relationships.

The poem then shifts to a broader reflection on the idea of men being “joined” in battle. Field explores whether this joining means opposition and unity simultaneously, “opposition at one pole, concord at the other, / and in the contest both at once.” The image of crossed swords above and sexual unity below embodies this duality, suggesting that conflict and camaraderie are intertwined.

Field introduces the concept of a “secret brotherhood,” an unspoken bond between men that exists beyond “the glitter of rivalry, the squiring of women.” This brotherhood, mediated by the goddess, reveals a mutual need for connection that transcends competition. The female figure becomes “created out of a mutual need,” emphasizing the idea that male relationships often require a medium through which to unite or clash.

The poem concludes with a powerful insight into the role of the feminine principle in male relationships: “As if maleness cannot mate without a medium: / it’s within the female principle, men unite—or fight!” Here, Field suggests that masculinity is fundamentally reliant on the feminine for both unity and conflict. The goddess becomes a symbol of the underlying forces that shape male relationships, embodying both peace and discord.

Structurally, “Triad” is written in free verse, allowing Field to weave between vivid description, rhetorical questioning, and philosophical reflection. The poem’s structure mirrors the intricate dynamics between the three figures in the sculpture, creating a layered and thought-provoking exploration of sexuality and conflict.

In summary, “Triad” is a fascinating exploration of the intersection between sexuality, conflict, and unity. Edward Field uses the image of an ancient temple sculpture to delve into the complexities of male relationships, revealing the intricate interplay of desire, rivalry, and the mediating power of the feminine principle. The poem serves as a compelling reflection on the inherent contradictions and tensions within human relationships and the unifying force of sexuality.

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