Classic and Contemporary Poetry: Explained

Jack Gilbert’s poem "Not Part of Literature" captures a serene, almost timeless moment on the island of Monolithos, emphasizing the simplicity and raw beauty of life there, far removed from the complexities and conventions of the literary world. Through vivid and straightforward imagery, Gilbert evokes a sense of place and a deep connection to the natural world, while also reflecting on the essence of existence and the distance from civilization.

The poem opens with a descriptive snapshot of Monolithos: "Monolithos was four fisherman huts along the water, a miniature villa closed for years, and our farmhouse a hundred feet behind." This setting establishes a remote and rustic locale, where human presence is minimal and life is intertwined with nature. The mention of "four fisherman huts" and a "miniature villa closed for years" suggests a place untouched by time, where life moves at a slower, more deliberate pace.

Gilbert continues to paint the landscape with broad strokes: "Hot fields of barley, grapes, and tomatoes stretching away three flat miles to where the rest of the island used to be." This line emphasizes the vastness and fertility of the land, with its abundant produce symbolizing sustenance and the cycle of life. The phrase "to where the rest of the island used to be" hints at a sense of loss or change, suggesting that the island has a history and a narrative of its own.

The poem contrasts the isolated, self-sufficient side of the island with the more inhabited areas: "Where the few people live above the great cliffs. / A low mountain to the south and beyond that the earth filled with pictures of Atlantis." This geographical distinction between the poet's side of the island and the more populated areas underscores the isolation and tranquility of his environment. The reference to Atlantis evokes myth and legend, adding a layer of mystery and timelessness to the setting.

Gilbert's portrayal of his side of the island is stark and elemental: "On our wrong side of the island were no people, cars, plumbing, or lights." This lack of modern conveniences highlights the purity and simplicity of life in Monolithos, where existence is stripped down to its most basic elements. The absence of these modern amenities also suggests a deeper connection to the natural world and a rejection of the distractions and complexities of contemporary life.

The constant presence of the natural world is further emphasized: "The summer skies and Mediterranean constantly. No trees." The unchanging sky and sea represent a sense of permanence and stability, contrasting with the transience of human life. The absence of trees suggests an openness and exposure to the elements, reinforcing the theme of simplicity and raw beauty.

The poem concludes with a glimpse into the everyday activities of the speaker and Linda: "Me cleaning squid. Linda getting up from a chair." These mundane tasks underscore the grounded, unpretentious nature of their life on the island. Cleaning squid and getting up from a chair are actions that connect them to the rhythms of the natural world and the practicalities of daily living, devoid of literary pretensions or romanticization.

"Not Part of Literature" by Jack Gilbert is a meditation on the simplicity and beauty of a life lived close to nature, away from the distractions and complexities of modern civilization. Through vivid and straightforward imagery, Gilbert captures the essence of existence in Monolithos, emphasizing the purity, tranquility, and profound connection to the natural world. The poem invites readers to reflect on the value of simplicity and the importance of grounding oneself in the elemental aspects of life, beyond the constructs of literature and society.

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