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Classic and Contemporary Poetry: Explained

OVER DENVER AGAIN, by             Poet Analysis     Poet's Biography

In "Over Denver Again," Allen Ginsberg captures a moment suspended between memory and observation, as he reflects on the city of Denver from the perspective of an airplane. The poem juxtaposes the personal loss of his friend Neal Cassady with the broader, almost mechanical continuation of the city and the world below. Through his imagery and contemplative tone, Ginsberg delves into themes of impermanence, memory, and the relentless march of time.

The poem begins with a stark image: "Gray clouds blot sunglare," setting a somber tone as Ginsberg peers out over Denver. The "mountains float west," creating a serene yet detached view, as if the landscape itself is drifting away. The "plane softly roaring" suggests a gentle but constant reminder of the mechanical world, contrasting with the poet's internal reflection on loss and change.

Ginsberg immediately brings Neal Cassady into the picture, stating "Neal dead a year." This line anchors the poem in personal grief, making the vast cityscape below a backdrop to his intimate sorrow. The "clean suburb yards" and the "boardinghouse for the homosexual messenger's alleyway" evoke a sense of nostalgia and the mundane aspects of life that continue despite Neal's absence. These images also recall specific memories of places and times shared, particularly the reference to "Lila a decade back before the Atombomb," which situates the memory in a historical context.

"Denver without Neal, eh?" captures the poet's disbelief and sadness at the city's existence without his friend. This rhetorical question underlines the stark reality of loss, as the world moves on indifferent to personal grief. The poem then shifts to a broader, almost dystopian vision with "orange sunsets & giant airplanes winging silvery to San Francisco," suggesting a connection between past experiences and present observations.

Ginsberg introduces a futuristic and somewhat bleak vision with "watchtowers thru red cold planet light," hinting at a world that becomes increasingly alien and mechanical. The phrase "when the Earth Angel's dead" implies a loss of innocence and spiritual guidance, symbolized by Neal's death. The world becomes a "dead material planet" that continues to "revolve robotlike," highlighting the disconnection between human emotion and the relentless, indifferent progression of time.

The poem concludes with a vivid image of "insects hop[ping] back and forth between metallic cities," emphasizing the mechanization and dehumanization of the world. This final image suggests a future where life continues in a sterile, automated manner, devoid of the warmth and spontaneity that Neal represented for Ginsberg.

"Over Denver Again" encapsulates Ginsberg's grappling with grief and the passage of time. The poem's imagery shifts between personal memories and broader, more abstract reflections on a world that continues to move forward mechanically. Through his contemplative tone and vivid descriptions, Ginsberg portrays a sense of melancholy and resignation, underscoring the tension between personal loss and the unceasing, indifferent nature of the universe. The poem stands as a poignant reflection on the enduring impact of loved ones and the inevitable, sometimes cold, march of time.


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