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Classic and Contemporary Poetry: Explained | |||
"Flights the Wire Bird Watches" by Christopher Howell is a reflective poem that juxtaposes the rugged, everyday scenes of a western landscape with a deeper, almost mystical longing for something beyond the ordinary. Through vivid imagery and the symbolic presence of the "wire bird," Howell explores themes of place, search for purpose, and the wisdom hidden in simple moments. The poem begins with an image of "Low hills white, soft / humps in the waning day," immediately establishing a quiet, perhaps even desolate landscape bathed in the fading light of day. The choice of "waning" suggests a feeling of ending or transition, which may mirror an internal journey the speaker is undertaking. This softness, juxtaposed with a tone of weariness, adds a reflective quality to the scene, grounding the speaker in the particularities of the place yet leaving space for something unnamed and unfulfilled. The speaker then describes moving "past saloons, whitewashed / former gas stations selling tacos, / fifteen farming equipment companies," evoking a rural, western town that has seen better days. These details—saloons, repurposed gas stations, and multiple farming equipment outlets—hint at a history of change and resilience. The phrase "ragged edge of a county seat in the West" suggests that the speaker is moving beyond the boundaries of the familiar, pushing out into a landscape both expansive and marginalized. The specificity of these elements roots the poem in a lived reality, yet the language Howell chooses—"ragged edge" and "waning day"—imbues the scene with a sense of departure and distance. Howell then introduces color and geography with "Brown rouge clings / to the valley. Bright broken fists / of the Cascades lurch up / from cloud-choked distances." This imagery is both stark and beautiful, highlighting the rawness of the landscape. The "brown rouge" gives a gritty, almost cosmetic quality to the valley, as if it is both beautified and worn down by its surroundings. The Cascades, personified as "bright broken fists," evoke a powerful presence that emerges from the "cloud-choked distances," adding to the sense of isolation yet connection to nature’s grandeur. This interplay between ruggedness and beauty speaks to the complexities of the speaker's experience—caught between awe and detachment from the place they traverse. The focal point of the poem emerges with "A wire bird in a cornfield / breaks thinly into song." The "wire bird" is ambiguous; it may be an actual bird perched on a wire or a symbol for something artificial and out of place, a man-made figure rather than a creature of the wild. This bird's song, described as "thin," implies fragility, yet it possesses an undeniable presence. Its song could be interpreted as a small assertion of life, meaning, or clarity in an otherwise harsh and unforgiving landscape. The wire bird thus becomes a figure of resilience and unassuming wisdom, a beacon in a setting where the speaker feels disconnection. The line "What I wanted was not here" crystallizes the speaker’s sense of absence, of searching for something elusive that this landscape cannot provide. This declaration is direct and unembellished, conveying a sense of disappointment or restlessness. It suggests that, despite the beauty and resilience of the land, it cannot fulfill whatever longing or purpose drives the speaker forward. The final lines turn toward the bird’s understanding, as the speaker observes, "Where I’m going the wire bird knows. / See, how joyous his singing, / how clear, among the crows." The bird, perched with an unobstructed view, seems to hold a quiet wisdom, attuned to the direction the speaker should take. Its "joyous" and "clear" song, resonating "among the crows," signifies a moment of clarity or enlightenment amidst the harshness and ambiguity of the world. The contrast between the wire bird’s pure song and the cawing of crows further elevates its role as a symbol of guidance or insight, standing out amidst more discordant or ordinary elements of life. "Flights the Wire Bird Watches" is a poem about searching for meaning in a landscape that is both grounding and unsettling. Howell uses the wire bird as a symbol of subtle, unpretentious wisdom, suggesting that purpose and clarity can often be found in the smallest, most fragile aspects of life. Through the juxtaposition of beauty and desolation, movement and rootedness, Howell portrays a journey both physical and existential, reminding readers that sometimes guidance comes from unexpected, humble sources that can rise above the noise and chaos of the world.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...BEN BOLT by THOMAS DUNN ENGLISH ON A FLY DRINKING FROM HIS CUP by WILLIAM OLDYS DEWEY IN MANILA BAY [MAY 1, 1898] by RICHARD VORHEES RISLEY THE UNFORGIVEN by THOMAS BAILEY ALDRICH IN THE STILLNESS O' THE NIGHT by WILLIAM BARNES PUTTING OFF, THE ARMOR by ALICE CARY OLNEY HYMNS: 67. I WILL PRAISE THE LORD AT ALL TIMES by WILLIAM COWPER |
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