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Classic and Contemporary Poetry: Explained

HEART, by             Poet Analysis     Poet's Biography

Donald Justice’s "Heart" is a striking exploration of the internal dialogue between the self and the emotional core, represented as a separate, childlike entity. The poem skillfully blends humor, tenderness, and a touch of exasperation to depict the ongoing struggle for balance between emotion and reason, the impulsive and the restrained. Through its intimate tone, nuanced imagery, and personification of the heart, Justice crafts a poignant meditation on the complexities of human emotion and self-control.

The poem begins with an invitation: “Heart, let us this once reason together.” This direct address immediately personifies the heart as a separate character, an emotional counterpart to the speaker’s rational mind. The tone is one of patient exasperation, as though the speaker has had many such conversations with their heart before. The use of “this once” suggests a recurring struggle, as if reason is constantly attempting to rein in the heart’s unruly impulses. The speaker appeals to the heart as if addressing a wayward child, a dynamic that underscores the tension between emotion and intellect.

Justice’s language in the opening stanza captures the theatricality of unchecked emotions. Phrases like “these nightly sulks” and “clamorous demonstrations” highlight the heart’s dramatic tendencies, which the speaker views as a source of embarrassment. The reference to “sport the neighbors have from us” injects a touch of humor while also revealing the speaker’s concern for how their emotional outbursts are perceived by others. This interplay between humor and vulnerability creates a layered portrayal of self-awareness: the speaker is both frustrated with their heart’s behavior and deeply connected to it.

The heart is further characterized as an “antique, balding spectacle” with “seedy innocence,” a description that evokes a mix of affection and derision. The comparison to an “overripe pomegranate” is particularly evocative, suggesting richness, excess, and a touch of decay. This image encapsulates the heart’s vitality and its flaws, its capacity for deep feeling and its tendency toward overindulgence. By addressing the heart in such vivid, almost absurd terms, the speaker acknowledges its imperfections while also affirming its central role in their identity.

The second stanza shifts from reprimand to reflection. The speaker recalls their efforts to guide the heart, describing themselves as a caretaker: “Have I not led thee, / Dawn after streaky dawn, besotted, home?” This line captures the speaker’s weariness and devotion, suggesting a history of late-night emotional escapades and the burdens of managing the heart’s whims. The word “besotted” implies a kind of intoxication, as though the speaker has been led astray by their own emotions, only to take on the responsibility of bringing the heart back to stability.

The heart, however, remains defiant. The speaker hears it “beating thy little fist / Against the walls,” a vivid metaphor for its stubborn, childlike insistence on being heard. The heart’s threats “to have off as before” evoke a sense of restless dissatisfaction, as though it is constantly seeking something just out of reach. The idea of the heart losing itself “in the next street” is both humorous and poignant, suggesting the dangers of emotional impulsiveness and the speaker’s fear of losing touch with their own emotional core.

The poem concludes with a resigned yet affectionate farewell: “Go then, O my inseparable, this once more. / Afterwards we will take thought for our good name.” This final gesture encapsulates the complex relationship between the speaker and their heart. The phrase “O my inseparable” acknowledges the inextricable bond between emotion and self, while the willingness to let the heart wander one more time reflects a deep empathy and acceptance. The promise to “take thought for our good name” afterwards suggests a hope for eventual reconciliation and balance, even as the heart’s impulsive nature is indulged.

Structurally, "Heart" is composed in free verse, its conversational tone and irregular line lengths mirroring the fluidity of thought and emotion. The lack of a strict formal structure reflects the unpredictability of the heart itself, while the careful choice of words and imagery demonstrates Justice’s poetic precision. The interplay between humor and gravity, reason and emotion, creates a dynamic tension that drives the poem forward.

Ultimately, "Heart" is a deeply human exploration of the internal conflicts that shape us. By personifying the heart as a flawed but endearing companion, Justice captures the complexities of emotional life: its joys and frustrations, its capacity to disrupt and to sustain. The poem’s tender humor and candid introspection invite readers to reflect on their own struggles with balancing reason and feeling, and to find solace in the shared experience of being human.


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