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Classic and Contemporary Poetry: Explained


"March II," by Robert Lowell, offers a reflective and poignant account of a protest, focusing on the emotions and experiences of the participants, particularly the speaker. The poem captures a moment of civil unrest, likely during the Vietnam War era, and conveys the exhaustion, vulnerability, and resilience of those involved.

The poem begins with an image of a diverse group of protesters: "Where two or three were flung together, or fifty, mostly white-haired, or bald, or women... sadly unfit to follow their dream." This description highlights the varied demographic of the protesters, emphasizing the presence of older individuals and women, perhaps suggesting that they are not typically seen as the frontline of protests but are nevertheless committed to the cause. The phrase "sadly unfit to follow their dream" hints at the physical limitations and societal constraints faced by these individuals, yet their participation underscores their determination.

The setting is described as "the sunset shade of our Bastille, the Pentagon," metaphorically likening the U.S. Department of Defense headquarters to the infamous French prison fortress, symbolizing oppression and the seat of military power. The mention of "nursing leg- and arch-cramps" conveys the physical discomfort experienced by the speaker, which mirrors the emotional and moral discomfort associated with the protest.

Lowell captures a sense of weariness and disillusionment with the phrase "my cowardly, foolhardy heart," reflecting the internal conflict and self-doubt that can accompany acts of protest. Despite this, the speaker acknowledges the importance of the cause: "the words took heart now to show how weak we were, and right." This line suggests a realization of the moral righteousness of the protest, even if the participants felt powerless in the face of the institutional might they opposed.

The presence of military police is highlighted through the figure of an "MP sergeant," who instructs his subordinates to "March slowly through them. Don't even brush anyone sitting down." This directive reflects a controlled, calculated response from the authorities, perhaps aiming to avoid physical confrontation while maintaining a show of force. The image of the police "tiptoeing" through the crowd contrasts with the more aggressive action of the "second wave [that] trampled us flat and back," illustrating a shift from restraint to overt suppression.

The poem concludes with a mixed sentiment of gratitude and acknowledgment of vulnerability: "Health to those who held, health to the green steel head.. to your kind hands that helped me stagger to my feet, and flee." The "green steel head" likely refers to the military presence, personified as an impersonal and powerful force. However, the focus shifts to the supportive hands that assist the speaker, highlighting a moment of solidarity and compassion amidst the chaos. The final act of fleeing underscores the physical and emotional toll of the experience, as well as the ever-present threat faced by the protesters.

Overall, "March II" offers a contemplative view of the complexities and emotional landscape of protest. Through vivid imagery and introspective reflection, Lowell captures the physical and psychological challenges of standing against powerful institutions, as well as the moments of connection and humanity that arise in the midst of struggle. The poem serves as both a personal narrative and a broader commentary on the nature of dissent and the resilience of those who dare to challenge the status quo.


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