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Classic and Contemporary Poetry: Explained

RAPTOR, by                

Cleopatra Mathis's "Raptor" delves into the complex and instinctive bond between a mother and her son, framed through themes of death, innocence, and the darker curiosities that arise in childhood. The poem’s narrative style and vivid imagery evoke both the immediacy of a parent’s protective instincts and the broader, more existential questions about the nature of mortality and the human condition.

The poem begins with the speaker recounting her mistake of sharing a story about a predator’s hunting ground. The description of the owl’s predation—the "mats of feathers" and "pellets of rib and skull" left on a "makeshift table"—is stark and visceral, emphasizing the raw realities of death in the natural world. The imagery is both grotesque and fascinating, mirroring the speaker’s own ambivalence about sharing such details with her son. This setting, in the canopy of hemlocks near a beaver dam, serves as a liminal space—a meeting point between life and death, innocence and experience.

The child’s reaction to this story is striking. His eagerness to visit the site and his plea to explore it signal his innate fascination with death and violence. This curiosity is not unusual in children, but the speaker observes it with both understanding and unease. The boy’s imaginative play—turning "benign objects" into "guns and knives," wanting to "be bad guys"—reveals how deeply these ideas resonate with him, perhaps as a way of grappling with the concept of power, mortality, and the boundaries of his world. The mother’s acknowledgment of this curiosity—"the dark I think now is fundamental"—suggests her reluctant acceptance of death as a natural and inevitable part of life, even as she seeks to shield her son from its dangers.

The tension in the poem arises from the mother’s fear for her son’s safety and the unknown depths of his thoughts. While she assures herself that he is not like "some other children"—those who act recklessly or dangerously—her anxiety lingers. Her assertion that her son "would never leave his bed in the dead of night" carries a tone of desperation, as though she is trying to convince herself of his safety. The conditional phrasing—"He wouldn’t do that—would he"—betrays her underlying fear, highlighting the vulnerability inherent in parenthood. The image of a child wandering into "the heavy snow," carried away by the cold, encapsulates her deepest dread: the possibility of losing him to forces beyond her control.

Mathis masterfully weaves together themes of nature, mortality, and maternal fear, creating a rich tapestry of emotion and reflection. The predator-prey dynamic of the owl and dove mirrors the broader, universal struggle between life and death. The child’s fascination with the owl’s hunt reflects his growing awareness of this dynamic, while the mother’s unease underscores her struggle to reconcile his innocence with the harsh realities of the world.

The poem’s conclusion leaves the reader with an unsettling ambiguity. The mother’s fear—rooted in both the physical dangers of the natural world and the emotional complexities of her son’s developing psyche—remains unresolved. This open-endedness reflects the perpetual tension in parenthood: the balance between protecting a child and allowing them to confront and understand the world’s darker truths.

"Raptor" is a poignant meditation on the intersection of innocence and mortality, and the maternal instinct to shield and nurture against forces both seen and unseen. Through its vivid imagery and introspective tone, the poem invites readers to reflect on their own relationships with fear, curiosity, and the natural cycles of life and death. Mathis captures the profound vulnerability of love, particularly the love of a parent for a child, in a world that is as beautiful as it is dangerous.


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