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Classic and Contemporary Poetry: Explained | |||
Cleopatra Mathis’s "Solstice" is a harrowing and lyrical exploration of loss, grief, and the fragile boundaries between life and death. Structured in four interwoven sections, the poem contemplates a child’s tragic choice and its reverberations, blending stark imagery, haunting metaphors, and poignant reflections. Mathis captures both the personal devastation of the parents and the broader existential questions raised by such a loss. The poem opens with a moment of devastating brevity: "The child, thirteen, pushing away the clip that tamed her hair. The child with a pistol against her ear." The simplicity of this sentence mirrors the abruptness of the act, while the detail of the hair clip suggests the intimate, mundane nature of the scene. Mathis juxtaposes the enormity of the event with the inconspicuousness of the sound—“a small noise against the noise of spring”—as if the external world refuses to acknowledge the magnitude of the tragedy. The mother’s perception of “something falling” instead of a gunshot underlines the dissonance between the event’s reality and its initial comprehension, a gap that encapsulates the shock of grief. The second section moves into the child’s imagined perspective, describing her departure as if it were a natural part of the cycle of life. The imagery of blackbirds in an "empty field" suggests both the chaos and potential serenity of the afterlife. The mention of "a nest to settle in" conveys a yearning for rest, safety, or belonging—ideas often tied to the innocence and vulnerability of childhood. The rhetorical question, “Isn’t that what the story teaches?” points to cultural narratives of death and transcendence, subtly critiquing their insufficiency in addressing the reality of loss. In the third section, Mathis shifts back to the living, portraying the parents’ disoriented grief and the collective shock of the community. The imagery of “the parents leading all the classmates stunned around them” evokes a surreal procession, with the children and adults equally incapacitated by the weight of the event. The meadow “burning in the glare” and the “new hay” pale in contrast, reflecting the raw and disorienting emotions of the mourners. The assertion that "every parent invents a story" suggests the ways in which survivors seek meaning or justification for a loss that defies explanation, underscoring the human tendency to construct narratives as a coping mechanism. The final section offers an elegiac reflection on the girl’s departure, focusing on her lingering presence and the marks she left behind. Her whisper “into a book” suggests a deeply introspective and imaginative child, already distant from the tangible world. The line “another world took her words, the ground opened for her bones” is both literal and metaphoric, signifying her burial but also the permanence of her silence. The tree planted above her grave becomes a potent symbol of both renewal and entrapment, its "accomplished shape" standing in contrast to her unrealized potential. The final lines address the spectral presence of her memory—“the ghost you’ve heard for months now”—which Mathis identifies as "failure explaining and explaining." This haunting notion captures the unending cycle of guilt, regret, and unanswered questions that accompany a loss of this kind. “Solstice” delves into themes of impermanence, memory, and the limits of understanding in the face of tragedy. The poem’s title, invoking the longest or shortest day of the year, suggests a turning point—perhaps the moment when light reaches its peak or fades into the deepest dark. Mathis situates this personal calamity within the context of cyclical time, juxtaposing the continuation of nature with the irrevocable stillness of the girl’s absence. The layered structure, fragmented yet cohesive, mirrors the fragmented process of grief while offering glimpses of beauty and understanding within the chaos. Through its delicate balance of raw emotion and lyrical precision, Solstice is both a lament and a meditation on the fragility of life and the enduring weight of loss.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...MY MOTHER'S HANDS by ANDREW HUDGINS CONTINENT'S END by ROBINSON JEFFERS IN THE 25TH YEAR OF MY MOTHER'S DEATH by JUDY JORDAN THE PAIDLIN' WEAN by ALEXANDER ANDERSON BLASTING FROM HEAVEN by PHILIP LEVINE |
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