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Classic and Contemporary Poetry: Explained | |||
Howard Nemerov’s poem "Lot's Wife" offers a reflective and symbolic meditation on the biblical story of Lot's wife, who turned into a pillar of salt after looking back at the destruction of Sodom and Gomorrah. Through evocative imagery and concise language, Nemerov explores themes of punishment, memory, and the human tendency to cling to the past. The poem begins with the stark declaration: "I have become a gate / To the ruined city, dry, / Indestructible by fire." This self-identification as a gate suggests that Lot's wife has become a threshold, a point of transition between the living and the ruined, the past and the present. The image of being "indestructible by fire" underscores her permanence and the irreversible nature of her transformation. Nemerov’s choice of "a pillar of salt, a white / Salt boundary stone" emphasizes the dual symbolism of Lot's wife. As a boundary stone, she marks the limit between the condemned city and the world beyond, a constant reminder of the consequences of disobedience and attachment to the past. The whiteness of the salt conveys both purity and starkness, reinforcing her role as a monument to a hard lesson learned. The poem further delves into the nature of this punishment: "A hard lesson to learn, / A swift punishment; and many / Now seek to escape / But look back, or to escape / By looking back: and they / Too become monuments." Here, Nemerov reflects on the broader human experience, suggesting that many, like Lot's wife, are caught between the desire to move forward and the compulsion to look back. This tension often results in them becoming "monuments" themselves, frozen in their inability to fully let go of the past. In the lines "Remember me, Lot's wife, / Standing at the furthest / Commark of lust's county," the poem personalizes the mythological figure, inviting the reader to empathize with her. The term "comark" implies a boundary or frontier, situating Lot's wife at the edge of desire ("lust's county"). This places her at the intersection of human passions and divine judgement, highlighting her struggle and the ultimate price of her hesitation. The final lines, "Unwilling to enjoy, / Unable to escape, I make / Salt the rain of the world," encapsulate the tragedy of Lot's wife. Her punishment is not just her own but becomes a part of the world's fabric, symbolizing the way in which human regrets and attachments can permeate and influence the broader environment. The act of making "salt the rain of the world" suggests a pervasive, enduring impact, where her story serves as a cautionary tale, a lesson crystallized in the very elements of nature. In "Lot's Wife," Nemerov masterfully captures the essence of a biblical narrative, transforming it into a universal reflection on the human condition. The poem’s concise and powerful imagery underscores the themes of memory, punishment, and the often-painful process of letting go. Through the figure of Lot's wife, Nemerov invites readers to contemplate their own attachments and the potential consequences of looking back, making the ancient story resonate with contemporary significance.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...UNEXPECTED HOLIDAY by STEPHEN DOBYNS COLUMNS AND CARYATIDS: 1. THE WIFE by CAROLYN KIZER LOT'S WIFE by ELIZABETH MORROW LOT'S WIFE PRAISES THE PILLAR by JAN LEE ANDE UNEXPECTED HOLIDAY by STEPHEN DOBYNS HALF-WAY, FOR ONE COMMANDMENT BROKEN by ALFRED EDWARD HOUSMAN LOT LATER; VAUDEVILLE FOR GEORGE FINKEL by HOWARD NEMEROV RAIN AFTER A VAUDEVILLE SHOW by STEPHEN VINCENT BENET |
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