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Classic and Contemporary Poetry: Explained

FRIDAY, GOOD FRIDAY, by             Poet Analysis     Poet's Biography

In "Friday, Good Friday," Charles Olson crafts a vignette that subtly juxtaposes the somberness of Good Friday with the irreverent humor and unassuming resilience of everyday life. Olson anchors this piece in Gloucester, his beloved hometown, using a local figure, Walter Strong, as a representation of a particular kind of resilience and defiance that runs through the town's spirit. Through a blend of humor and colloquial realism, Olson reflects on themes of religious observance, community identity, and human tenacity in the face of societal norms.

Walter Strong, introduced as a childhood acquaintance of Olson’s, is depicted with a distinct characterization that reflects the community's unvarnished and often gritty reality. Olson initially paints a picture of Walter as an "inbred" with his sister, suggesting a rough upbringing and a lack of conventional social graces, as indicated by the mention of bibs and drooling. This introduction, while seemingly unflattering, is emblematic of Olson’s style of celebrating individuals in all their rawness and imperfections. Walter’s growth into "the sharpest gambler in the city" creates a striking contrast to his early depiction and suggests a subversion of expectations—Walter overcomes his apparent limitations to thrive in a way unique to his environment.

The setting of Good Friday, a day traditionally associated with solemn reflection and reverence, acts as an ironic backdrop for Walter's unabashed approach to life. Good Friday, in Christian tradition, commemorates the crucifixion of Christ and is marked by rituals of sacrifice and introspection. However, for Walter and his companions at the gas station, the day does not carry the same weight; it is simply another occasion to “chew the fat.” This scene exemplifies Olson's skill at capturing the irreverence and resilience of working-class life, where religious observance may be acknowledged but is often reframed or downplayed. When Walter casually suggests a gambling game, the others respond with mock shock, reminding him of the day’s significance. Olson uses this moment to highlight the humorous disconnect between the grand, solemn rituals of religion and the unpretentious lives of his characters.

Walter’s response to the reminder of Good Friday—"Whhhat's goooood aboooout it? Allll Iiii sssay isss, Iliiii hoooope it'll be gooooood for meeeee!"—is at once humorous and deeply telling. His drawn-out drawl and defiant tone suggest a man who has learned to navigate life's difficulties with humor and pragmatism. Walter’s irreverence speaks to a skepticism of imposed traditions and an insistence on finding meaning in one's own terms. For him, "good" is not defined by ritual or doctrine but by tangible, personal gain. This moment encapsulates Olson’s celebration of the individual who, despite societal expectations, finds resilience and autonomy within a communal framework. Walter’s attitude implies a certain cynicism about traditional ideas of sanctity, replacing them with a hopeful pragmatism that resonates with the blue-collar sensibilities of Gloucester.

Olson’s choice to immortalize this anecdote about a seemingly ordinary moment in his hometown suggests a larger purpose: he elevates the everyday to the level of the poetic, illustrating how the struggles, quirks, and resilience of individuals like Walter carry their own kind of sanctity. By recounting this episode, Olson reflects a Gloucester that is both reverent in its irreverence and steadfast in its ability to define its values independently. In this way, Olson captures the underlying resilience that characterizes his community. It’s a resilience rooted not in adherence to imposed ideals but in a grounded, self-sustained sense of worth and identity.

Ultimately, Olson’s "Friday, Good Friday" uses humor and local color to explore themes of individuality, community, and resilience. Walter Strong becomes emblematic of a broader human experience, one where meaning is often constructed independently of tradition and where survival and success are defined on one’s own terms. Olson’s storytelling, rich in its celebration of Gloucester’s rough edges and spirited inhabitants, redefines what is "good" in Good Friday, suggesting that true goodness is found not in solemnity or sacrifice but in the unpretentious perseverance of the human spirit.


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