![]() |
Classic and Contemporary Poetry: Explained | |||
Muriel Rukeyser’s "Clouds, Airs, Carried Me Away" is a deeply introspective and richly imagistic poem that navigates themes of transformation, memory, and renewal. Through vivid and evocative language, Rukeyser explores the interplay between past wounds and present healing, emphasizing the cyclical nature of life and the enduring power of hope. The opening lines, "Clouds, airs, carried me away, / but here we stand / and newborn we begin," set a tone of transition and rebirth. The imagery of clouds and air suggests a sense of being uplifted and transported, yet the grounding phrase "here we stand" anchors the poem in the present moment. The notion of beginning anew, of being "newborn," introduces a theme of renewal and starting afresh despite past experiences. Rukeyser reflects on the inevitability of conflict and the unpredictability of outcomes: "we know there will be wars / all acted out, and know not who may win." This acknowledgment of future struggles is juxtaposed with a sense of acceptance and readiness, as the speaker understands that the outcome remains uncertain. In the lines "Deep now in your great eyes, and in my gross / flesh—heavy as ever, woman of mud— / shine sunset, sunrise and the advancing stars," Rukeyser merges the celestial with the earthly. The "great eyes" and "gross flesh" symbolize the human condition, weighted and imperfect, yet capable of reflecting the beauty of the cosmos. The interplay of "sunset, sunrise and the advancing stars" highlights the continuous cycle of day and night, underscoring the themes of transformation and continuity. The poem shifts to a deeper contemplation of understanding and memory: "But past all loss / and all forbidding a thing is understood." This suggests a revelation or insight gained through experiencing loss and overcoming obstacles. The reference to Orpheus, a mythological figure who remembered the rivers of hell and whose music encapsulated human voices, reinforces the power of memory and art to transcend suffering: "Orpheus in hell remembered rivers / and a music rose / full of all human voices." Rukeyser continues with the powerful image of a fragmented yet enduring song: "and even torn to pieces / one piece sang / Come all ye torn and wounded here / together." This metaphor of a divided entity that still sings speaks to resilience and the enduring spirit of humanity. The song invites all who are "torn and wounded" to come together, suggesting healing through unity and shared experience. The poet reflects on the inherent traps and complexities of human nature: "man is a weapon, woman’s a trap; / and so is the hand with the map, my dear, / so is the hand with the colored map. / And I to myself the tightest trap." These lines explore the dualities and contradictions within ourselves, recognizing that we are both agents of our own destiny and prisoners of our limitations. The poem concludes with a hopeful and affirming vision of rebirth and understanding: "Now all is young again: / in a wet night among the household music, / the new time, / by miracle my traps are sprung." The "new time" signifies a fresh start, and the "miracle" of the traps being sprung implies liberation from past constraints. The speaker embraces a renewed sense of purpose and clarity: "I believed because I saw not; / now I see, / with love become / so haunted by a living face / that all the dead rise up and stare." In this state of renewed vision, memory and form are reborn: "Memory is reborn, / form and forgiveness shine." The poem emphasizes the importance of recognizing and integrating past experiences, transforming wounds into sources of wisdom and strength: "Now the wounds of time / have healed and are grown. / They are not wounds, they are mine, / they are healed into mouths. / They speak past wrongs." "Clouds, Airs, Carried Me Away" ends with a celebration of stories and songs, the legacies of those who have come before and the new creations of the present: "Here are the stories they tell you, / here are their songs." Rukeyser’s poem is a testament to the enduring power of memory, the possibility of renewal, and the transformative potential of love and understanding. Through its rich imagery and profound reflections, the poem invites readers to embrace their own journeys of healing and rebirth.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...HOW WE DID IT by MURIEL RUKEYSER THE BOOK OF THE DEAD: ALLOY by MURIEL RUKEYSER THE CHANT OF THE VULTURES by EDWIN MARKHAM SEVEN TIMES FOUR [ - MATERNITY] by JEAN INGELOW THE EARL O' QUARTERDECK by GEORGE MACDONALD ON HIS BEING [OR, HAVING] ARRIVED AT THE AGE OF TWENTY-THREE by JOHN MILTON A BALLAD OF LIFE by ALGERNON CHARLES SWINBURNE OF GENERAL GOURAUD by ROBERTA BALFOUR |
|