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Classic and Contemporary Poetry: Explained | |||
Muriel Rukeyser’s "Wedding Presents" is a rich, evocative poem that delves into the themes of love, loss, transformation, and the enduring power of intellectual and emotional connections. The poem is structured in two distinct sections, each offering a different perspective on the intricate dynamics of human relationships and the passage of time. In the first section, Rukeyser introduces the concept of grief as an indelible mark on our later loves: "Griefs / marking indelibly our later loves." This line sets the tone for an exploration of how past sorrows and experiences shape our future relationships. The "fantastic juxtapose" of wish and flesh, desire and reality, reflects the tension between idealized love and the physical, often imperfect, human experience. The phrase "the inconstant rain / in the fixed lightly-palpitant brain" suggests the persistence of change and uncertainty in our thoughts and emotions, despite our efforts to find stability. Rukeyser uses the metaphor of "anthropoid hunger laid against the will" to highlight the primal, instinctual desires that conflict with our rational intentions. This conflict is further emphasized by the "small music in the ventricle," a subtle yet constant reminder of our biological drives. The mention of Bach’s "sweetly mathematical sound" juxtaposes the primal with the intellectual, suggesting that evolved man finds harmony in both the natural and the cerebral. The second section shifts to a more direct address, urging the reader to embrace change and the disappearance of past ideals: "Be bold, friend; all your nymphs have disappeared." The imagery of nymphs and goddesses disappearing from "green and classic banks" symbolizes the loss of mythic and romanticized views of the past. The mention of "chivalric ranks" further underscores the fading of traditional ideals of love and heroism. Rukeyser contrasts these vanished ideals with the modern world’s "firm and beautiful machines" and "shining electric powers / of energy on polytechnic scenes." This shift to industrial and technological imagery reflects the changing landscape of human experience and the need to adapt to new realities. The poem encourages acceptance of these changes: "Believe Eurydice unregained at last, / see that those idyll afternoons are past." The reference to Eurydice, a figure from Greek mythology who is lost to the underworld, symbolizes the acceptance of irretrievable losses and the need to move forward. The poem’s call to "open your hands open your thighs for strength / inviolate in beauty, ill-defined" suggests a willingness to embrace both vulnerability and strength in the face of change. The "Columbus of the mind" signifies exploration and discovery within the intellectual and emotional realms. This metaphor encourages a bold, adventurous approach to understanding and experiencing life and love. The closing lines of the poem, "Trembling, the mouth relaxes in the kiss. / The lemon body and purple blood beneath / award themselves in love, most perfect wreath," capture the culmination of these themes. The act of kissing symbolizes the intimate connection between individuals, while the "lemon body" and "purple blood" evoke vivid, sensual imagery of physical and emotional union. The "most perfect wreath" represents the beauty and completeness found in this union, despite the complexities and imperfections that have preceded it. "Wedding Presents" is a deeply reflective poem that explores the enduring impact of past experiences on present relationships, the necessity of embracing change, and the transformative power of love and intellectual engagement. Through rich imagery and thoughtful language, Rukeyser invites readers to consider the complexities of human connections and the resilience required to navigate the evolving landscape of love and life.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...HOW WE DID IT by MURIEL RUKEYSER THE BOOK OF THE DEAD: ALLOY by MURIEL RUKEYSER TO HIS WIFE by DECIMUS MAGNUS AUSONIUS THE BEGINNING by RUPERT BROOKE JOCHANAN HAKKADOSH by ROBERT BROWNING PLEA FOR TOLERANCE by MARGARET E. BRUNER ON SENSIBILITY by ROBERT BURNS SONG OF THE EARTHLINGS by RICHARD EUGENE BURTON |
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