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NAVAJO BLANKET, by             Poet Analysis     Poet's Biography

May Swenson?s "Navajo Blanket" captures the hypnotic beauty and symbolic depth of Native American weaving, exploring themes of perception, cultural tradition, and the interplay between pattern and meaning. Through vivid imagery and metaphor, the poem invites the reader to immerse themselves in the intricate design of a Navajo blanket, experiencing it as both a visual and spiritual journey.

The opening line, "Eye-dazzlers the Indians weave," immediately establishes the blanket as a powerful visual and cultural artifact. The term "eye-dazzlers" refers to a specific style of Navajo weaving characterized by vibrant colors and geometric patterns that create an optical illusion of movement. Swenson’s choice of words reflects both admiration and an acknowledgment of the blanket’s ability to captivate and disorient the viewer. The "three colors" mentioned—Blue, Red, and Black—serve as symbolic paths that "pull you in" and "pin you to the maze," emphasizing the blanket’s role as both an aesthetic object and a metaphysical tool.

The poem portrays the blanket as a kind of maze or portal, a space where the viewer can enter and lose themselves. The lines "Alight, and enter / any of the gates—of Blue, of Red, of Black" invite the reader to engage with the blanket on a deeper level, suggesting that its patterns function as gateways to an altered state of consciousness. The geometric designs become more than mere decoration; they are pathways that guide the mind inward, offering both challenge and solace. The hawk metaphor—"Be calmed and hooded, a hawk brought down"—captures this duality. The hawk, a symbol of freedom and vision, willingly submits to the "forearm of a Chief," suggesting a voluntary surrender to the authority of tradition and the transformative power of the blanket.

The center of the blanket is depicted as a place of rest and renewal: "You can sleep at the center, / attended by Sun that never fades, by Moon that cools." This imagery evokes a sense of timelessness and harmony, where opposing forces like sun and moon coexist in balance. The blanket becomes a microcosm of the universe, a space where the wearer or viewer can find peace and clarity. The geometric patterns and colors are not merely visual stimuli but carriers of cosmic energy and meaning, capable of offering both comfort and insight.

The poem’s conclusion shifts from the center of the blanket to its borders, introducing the concept of the "spirit trail." This "faint Green thread that secretly crosses the border" represents a subtle but vital pathway out of the intricate design. The spirit trail is a hallmark of traditional Navajo weaving, a deliberate imperfection that symbolizes the weaver’s humility and the belief that spirits need a way to enter and exit the artwork. Swenson’s reference to the spirit trail underscores the idea of renewal and return. The mind, "rinsed and returned to you like a white cup," emerges cleansed and ready to reengage with the external world after its journey through the blanket’s labyrinthine design.

Swenson’s use of language is precise and evocative, mirroring the craftsmanship of the blanket itself. The poem’s structure, with its short, enjambed lines, creates a rhythm that mimics the weaving process—each line like a thread contributing to the larger pattern. The interplay between bright, vivid imagery ("Brightness makes your eyes jump") and soothing, meditative tones ("Be calmed and hooded") reflects the dual experience of the blanket as both dazzling and grounding.

“Navajo Blanket” is a meditation on the power of art to transform perception and connect individuals to a larger cultural and spiritual framework. Swenson’s focus on the visual and tactile qualities of the blanket highlights its role as a living artifact, a nexus of tradition, creativity, and meaning. The poem invites readers to not only admire the craftsmanship of the Navajo weavers but also to experience the deeper layers of symbolism and introspection woven into the fabric. In doing so, Swenson honors the enduring legacy of Navajo artistry and its ability to bridge the material and the transcendent.


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