![]() |
Classic and Contemporary Poetry: Explained | |||
"Arion" by David Wojahn presents a deeply moving narrative that intertwines themes of disability, memory, and connection through the interaction between a quadriplegic man and a dolphin. The poem navigates the complexities of human experience, transforming a moment of vulnerability into one of profound communion with another being. Wojahn's use of vivid imagery, cultural references, and lyrical language invites readers into a contemplative space where the boundaries between the human and the non-human blur, revealing the potential for empathy and understanding across different forms of existence. The poem opens with a stark depiction of the protagonist's physical condition and the challenges of navigating the world in a wheelchair, immediately establishing a tone of struggle and resilience. The orderlies' jokes, while perhaps meant to lighten the mood, underscore the protagonist's daily confrontations with societal attitudes toward disability. This setting serves as a backdrop for the forthcoming extraordinary encounter, emphasizing the contrast between the mundane and the magical. As the man is lowered into the pool, the sensation of water triggers a flood of memories, specifically a recollection of Brighton Beach from thirty years prior, when his body was "able" and free from the constraints of paralysis. This flashback serves not only as a poignant reminder of what was lost but also as a bridge to the moment of connection that is about to unfold. The appearance of the dolphin and its initial curiosity toward the man introduce a shift in perspective. To the dolphin, the man's paralyzed legs are no more "useless-seeming" than any other "land-born thing's," suggesting a perspective of acceptance and non-judgment that contrasts with human societal views. The dolphin's slow, deliberate movements, described with imagery reminiscent of ancient seafaring ("silvery trireme-prow of dorsal fin"), evoke a sense of grace and otherworldly presence. The core of the poem lies in the moment of eye contact between the man and the dolphin, a moment that transcends the physical barriers of disability and species. Wojahn captures this connection with a profound sense of intimacy and mutual understanding, emphasizing the transformative power of such encounters. The choice of songs—"Gershwin at first, tentatively hummed, & then 'Norwegian Wood' & 'I've Just Seen a Face'"—serves as a bridge across the species divide, inviting the dolphin into a shared space of communication and emotion. The dolphin's response, a "cackling high-pitched harmony" to the man's singing, symbolizes a moment of true connection and shared joy. The detailed description of the dolphin's physicality—its "blunt teeth" and "nuzzled beak against the salt-rinsed bristle of his beard"—highlights the tactile, immediate nature of their interaction, further deepening the sense of communion. The poem concludes with a reference to the Beatles' song "Norwegian Wood," specifically the lines "And when I awoke / I was alone," which adds a layer of melancholy to the narrative. This ending suggests the ephemeral nature of the encounter and perhaps the return to a reality marked by limitations and isolation. However, the memory of the connection with the dolphin remains a powerful testament to the capacity for empathy, understanding, and transcendence beyond the confines of the human condition. "Arion" is a testament to David Wojahn's ability to craft a narrative that is both deeply personal and universally resonant. Through the story of a man and a dolphin, the poem explores the themes of empathy, memory, and the search for connection in a world that often emphasizes division and difference. It is a reminder of the unexpected moments of beauty and understanding that can emerge in the most unlikely of circumstances, offering a vision of hope and shared humanity. POEM TEXT: https://www.poetryfoundation.org/poetrymagazine/browse?contentId=40100
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...EASTER HYMN by GEORGE SANTAYANA THE SCHOOL BOY, FR. SONGS OF EXPERIENCE by WILLIAM BLAKE THE SACK OF BALTIMORE by THOMAS OSBORNE DAVIS HOME (2) by EDGAR ALBERT GUEST A SHORT SONG OF CONGRATULATION by SAMUEL JOHNSON (1709-1784) IN THE CHURCHYARD AT CAMBRIDGE by HENRY WADSWORTH LONGFELLOW |
|