Classic and Contemporary Poetry: Explained

"Large Bad Picture" is a poem written by Elizabeth Bishop that explores the themes of art, perception, and the nature of reality. The poem is characterized by its use of vivid imagery, its exploration of the relationship between art and reality, and its questioning of traditional notions of beauty.

The essential poetic elements of "Large Bad Picture" are:

1. Form: The poem is written in free verse, with no consistent rhyme scheme and a variety of line lengths.
2. Theme: The central theme of the poem is art and the nature of reality, as the speaker reflects on a painting that she initially finds unattractive.
3. Imagery: The poem uses vivid and evocative imagery to describe the painting and the speaker's changing perception of it, such as the comparison of the painting to a "slab of chocolate" and the use of color imagery to create a sense of richness and depth.
4. Tone: The tone of the poem is contemplative and questioning, as the speaker reflects on the nature of art and the relationship between art and reality.
5. Sound: The poem uses rhythm and repetition to create a musical effect and help to unify the poem.
6. Language: Bishop's language is complex and allusive, with an emphasis on exploring the relationship between art and reality through metaphor and symbolism.
7. Figurative language: The poem uses metaphor and symbolism to create deeper meaning and layers of interpretation, such as the comparison of the painting to a "slab of chocolate" and the use of color imagery to create a sense of richness and depth.
8. Structure: The poem is structured as a series of reflections on the painting, leading to a questioning and uncertain conclusion.
9. Symbolism: The painting serves as a symbol for the larger themes of art, perception, and the nature of reality.
10. Emotion: The poem evokes a sense of questioning and uncertainty in the reader, as the speaker reflects on the nature of art and the relationship between art and reality.

"Large Bad Picture" was first published in 1965, and it reflects the changing artistic sensibilities of the mid-20th century, as artists and writers began to question traditional notions of beauty and the relationship between art and reality. The poem is a complex and challenging reflection on the nature of art and perception, and it continues to be widely read and studied today.