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Classic and Contemporary Poetry
MUSIC; READ AT ANNUAL DINNER OF HARVARD MUSICAL ASSN., 1874, by CHRISTOPHER PEARSE CRANCH Poem Explanation Poet's Biography First Line: When 'music, heavenly maid' was very young Last Line: We feel that life is immortality. Subject(s): Music & Musicians | |||
When "Music, Heavenly Maid," was very young, She did not sing as poets say she sung. Unlike the mermaids of the fairy tales, She paid but slight attention to her scales. Besides, poor thing! she had no instruments But such as rude barbaric art invents. There were no Steinways then, no Chickerings, No spinnets, harpsichords, or metal strings; No hundred-handed orchestras, no schools To corset her in contrapuntal rules. Some rude half-octave of a shepherd's song, Some childish strumming all the summer long On sinews stretched across a tortoise-shell, Such as they say Apollo loved so well; Some squeaking flageolet or scrannel pipe, Some lyre poetic of the banjo type, -- Such were the means she summoned to her aid, Prized as divine; on these she sang or played. Music was then an infant, while she saw Her sister arts full grown. Greece stood in awe Before the Phidian Jove. Apelles drew And Zeus is painted. Marble temples "grew As grows the grass"; and never saw the sun A statelier vision than the Parthenon. But she, the Muse who in these latter days Lifts us and floats us in the golden haze Of melodies and harmonies divine, And steeps our souls and senses in such wine As never Ganymede nor Hebe poured For gods, when quaffing at the Olympian board, -- She, Heavenly Maid, must ply her music thin, And sit and thrum her tinkling mandolin, Chant her rude staves, and only prophesy Her far-off days of immortality. E'en so poor Cinderella, when she cowered Beside her hearth, and saw her sisters, dowered With grace and wealth, go forth to accomplish all Their haughty triumphs at the Prince's ball, While she in russet gown sat mournfully Singing her "Once a king there chanced to be," Yet knows her prince will come; her splendid days Are all foreshadowed in her dreaming gaze. Then, as the years and centuries rolled on, Like Santa-Clauses they have come and gone, Bringing all means of utterance to the Muse. No penny-trumpets, such as children use, No barbarous Indian drums, no twanging lutes, No buzzing Jews-harps, no Pandean flutes, Were stuffed into her stockings, though they hung On Time's great chimney, as when she was young; But every rare and costly instrument That skill can fabricate or art invent, -- Pianos, organs, viols, horns, trombones, Hautboys, and clarinets with reedy tones, Boehm-flutes and cornets, bugles, harps, bassoons, Huge double-basses, kettle-drum half-moons, And every queer contrivance made for tunes. Through these the master-spirits round her throng, And Europe rings with instruments and song. Through these she breathes her wondrous symphonies, Enchanting airs, and choral litanies. Through these she speaks the word that never dies, The universal language of the skies. Around her gather those who held their art To be of life the dearest, noblest part. Bach, Handel, Haydn, and Mozart are there; Beethoven, chief of all. The southern air Is ringing with Rossini's birdlike notes; About the north more earnest music floats, Where Weber, Schumann, Schubert, Mendelssohn, And long processions of the lords of Tone All come to attend her. Like a queen enthroned She sits and rules the realms she long has owned, And sways the willing sense, the aspiring soul, Where thousands bow before her sweet control. Ah! greater than all words of mine can say, The heights, the depths, the glories, of that sway. No mortal tongue can bring authentic speech Of that enchanted world beyond its reach; No tongue but hers, when, lifted on the waves Of Tone and Harmony, beyond the graves Of all we lose, we drift entranced away Out of the discords of the common day; And she, the immortal goddess, on her breast Lulls us to visions of a sweet unrest, Smiles at the tyrannies of time and space, And folds us in a mother's fond embrace, Till, sailing on upon that mystic sea, We feel that Life is Immortality. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...LINER NOTES TO AN IMAGINARY PLAYLIST by TERRANCE HAYES VARIATIONS: 13 by CONRAD AIKEN BELIEVE, BELIEVE by BOB KAUFMAN ROUND ABOUT MIDNIGHT by BOB KAUFMAN MUSIC by CHARLOTTE FISKE BATES THE POWER OF MUSIC by CHARLOTTE FISKE BATES CORRESPONDENCES; HEXAMETERS AND PENTAMETERS by CHRISTOPHER PEARSE CRANCH |
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