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RETURN TO YESENIN, by             Poem Explanation     Poet Analysis     Poet's Biography
First Line: I forgot to say that at the moment of death yesenin stood
Last Line: Woods and field, well short of the mouth of your hell.
Alternate Author Name(s): Harrison, Jim
Subject(s): Martyrs


For only in praising is my heart still mine,
so violently do I know the world
- RAINER MARIA RILKE, The Sonnets to Orpheus

I forgot to say that at the moment of death Yesenin
stood there like a misty-eyed pioneer woman trying
to figure out what happened. Were the children
still in the burning barn with the bawling cows?
He was too sensitive for words, and the idea of a rope
was a wound he couldn't stop picking at. To step
back from this swinging man twisting clockwise
is to see how we mine ourselves too deeply,
that way down there we can break through the soul's
rock into a black underground river that sweeps us away.
To be frank, I'd rather live to feed my dogs,
knowing the world says no in ten thousand ways
and yes in only a few. The dogs don't need another
weeping Jesus on the cross of Art, strumming the scars
to keep them alive, tending them in a private
garden as if our night-blooming tumors were fruit.
I let you go for twenty years and am now only
checking if you're really dead. There was an urge
to put a few bullets through Nixon's coffin or a big,
sharp wooden stake, and a girl told me she just saw
Jimi Hendrix at an AIDS benefit in Santa Monica.
How could I disbelieve her when her nipples
were rosebuds, though you had to avoid the snakes
in her hair. If you had hung yourself in Argentina
you would have twisted counterclockwise. We can't
ask if it was worth it, can we? Anymore than we can
ask a whale its mother's name. Too bad we couldn't
go to Mexico together and croak a few small gods
back to life. I've entered my third act and am
still following my songs on that thin line between
woods and field, well short of the mouth of your hell.





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