Raise the right foot -- bound in sheer Reasons of white and gold -- One inch from the black stage-floor. Then perform these torpid words: "Money is dangerous to men: It shames the clearness of their thoughts." After thus accounting For the loquacious smallness Of those rare gifts that come from doubting men, Tear the left foot vigorously From the black grip of the floor, And attend its nakedness With this coronation of words: "Money is emptiness Curiously violated by colour. Crown it with originality That burns with careless discernment, And amaze the limpid Familiarity of Time." After thus accounting For an improbable situation, Abandon the farce and shrewdly Tiptoe across the stage, Peering down at your feet And mistaking their lean mysteries For possibilities in syncopation. Having thus emulated The tension of a psycho-analyst Who confuses routines with causes, Suddenly kneel upon the floor, Limp with the collapse of sightless longing, And raise one hand to the sky While clenching the other hand at your audience, Of Occidental religions. Then dance across the stage, Giving complex decisions to your legs And interrupting the dance with a pause In which you question its cumbersome cause. Having thus defended The broken rhythm of Western philosophers -- Sprinkled with a carnival of details -- Change the dance to a borrowed waltz, Picking suave tricks from a harp That lacks an ascending scale of notes, And insisting that the result is music. The end of the ballet should portray A gradual sinking to the floor, With plentiful whispers resenting The final intrusion of Buddha. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE NEW APOCRYPHA: BERENICE by EDGAR LEE MASTERS TO MY FATHER by WILLIAM SYDNEY GRAHAM SUNKEN GOLD by EUGENE JACOB LEE-HAMILTON THE TAY BRIDGE DISEASTER by WILLIAM MCGONAGALL INDEPENDENCE DAY by ROYALL TYLER ODES: BOOK 2: ODE 6. TO WILLIAM HALL, ESQ., WITH THE WORKS OF CHAULIEU by MARK AKENSIDE |